Billy Meier was NOT contacted by Pleiadeans. He was a psyops specialist/ Annunaki High Adept who worked for DARPA.

The following has been represented to us as an actual internal CIA/ DSS-SK general reference memo. It came into our possession  from an operative who, while assigned to an unrelated project, accessed this document and brought it to our attention.  We believe on good authority that the information within it is correct, and, that the implications of this document (and others which we are not at liberty to disclose at this time), when taken to their logical conclusions, point to  several unsavory facts about the noted UFO celebrity/ Pleiadean charlatan, Billy Meier.  He appears to have a past  much  more shadowy than his flaks and PR shills who are paid "honoraria" for their dissemination of Billy Meier propaganda at Ufology conventions would have the general public believe.  It was long whispered among the alternative history community that Meier seemed to have troubling connections to certain US government agencies and an unusual string of casualties and disappearances of his key asssociates.  He also was said to have used multiple identites , as well as doubles who he sent to appear as himself  at simultaneous speaking engagements nationwide. We are not able to provide annotations on the more esoteric aspects of this document at this time, however, interested readers can find troves of this information online, and are encouraged to do so. We have removed identifying dates, places, and names to protect the anonymity of our source. 

DOSSIER ON ASSET: BILLY ASHRAM/ BILLY MEIER

Re: Project Mimeograph/ Latah Force

EYES ONLY / Clearance: DSS-SSBI-TS vector 93

  Billy Ashram was acquired as a CIA asset in 1975 and was first officially deployed during Operation Desert Storm as a "point man" sent to deal with Gen. Colin Powell going rogue a la "Apocalypse Now" (see report 223-gfx/Project Surfrider) under the rank of Colonel.  In accomplishing his prime directive, Ashram's mission was a dismal failure, as his only action to remedy the problem was to show Powell how to "properly calibrate his kaleidoscopic negative vibe viewer" by means of injecting a cocktail of pharmaceutical opiates and PCP into  the General's groin area. In addition, he often took advantage of  the General's subsequent altered state to expound upon him the precepts of "The Process Church of the Final Judgement". The true fruits of Ashram's deployment were to be made evident later in unexpected ways.

   Ashram was Powell's Chief Metaphysical Advisor - an entirely new position created out of the ether to cater to Powell's new maze of whims. Ashram was the officer who suggested hiring infamous counter-culture buffoon,Wavy Gravy, for mobile sound projection. Gravy instituted the policy of a 24 hour audio and military bandwidth broadcast throughout Base Alpha  of all of Powell's stream of consciousness thoughts, no matter how inane the data, which ranged from bathroom mumblings & grunts to abstract howling fits oscillating between the furthest extremes of joy and terror, brought on by Powell's prodigious consumption of psychoactive substances. Col. Ashram had  further plans to hijack Base Alpha's scalar weaponry and modify the strategic imperatives of which to his  own personal and disturbed ends, which included altering the frequencies of the mobile HAARP UNIT to foster in the personnel within range a "Laughing Festival" - a continuous 72 hour event that would include "automatic fingerpainting" using lentil paste and food coloring on canvases of dried human skin, and a production of Jesus Christ Superstar with a cast consisting entirely of "Latahs".
 [ see http://en.m.wikipedia.org/wiki?search=Latah ,  http://en.m.wikipedia.org/wiki/Echolalia]

  The Latahs were such a success at the production - and a personal obsession of Ashram {later outed publicly as double agent & noted UFO abductee fraud, Billy Meier} that they were honorarily enlisted in the platoon and put in positions of authority. In addition, the Latah Force, as they were now called, were issued their own custom- wired karaoke machines and organized into a traveling Anarcho PsyChoir of sorts.

  Owing to their propensity for "mirroring" each other, the Latahs' crazed ululations would settle upon a single drone frequency after a few minutes that would redouble itself into a focused harmonic beam of pure sound that Ashram realized could be used as his own organic version of a scalar weapon. Further research revealed that the harmonic beam produced by The Latah Force, when vocally projected thru strategically placed PVC tubes, caused individuals in the target area to involuntarily "hippie dance." No matter the make up of the target group - officers, highly trained bands of elite killers, or enemy combatants - the results were always the same - sustained and vigorous "hippie dancing" lasting 1-3 hours, with exhaustive sporadic fits in the 3-5 hour range. Soon thereafter a platoon's worth of tanks whose gun barrels were removed and replaced with 12' carbon polymer tubes were assigned to Latah Force. In addition, long-range amplification systems were outfitted to the exterior of each tank to facilitate the weapons' efficiency. Project Mimeograph became operational shortly thereafter.

The platoon's first mission was to demonstrate to Bush Sr., then the acting C.I.C.,  an exhibition of the efficacy of the new technology. He had grown antsy and peevish at the direction the Black Ops were taking, a direction even more insane and nonsensical than they had already been. He needed to be shown results if Ashram were to remain on the secret payroll. Bush's errant son, W, was brought along, if for no other reason than to keep an eye on him and prevent more benders and DUI's in Crawford. At the start of the Demo, Bush was seated with W on a dais as the Latah Force tanks were assembled in formation in front of them, and a group of Iraqi prisoners was brought into the line of fire as test subjects. Just before the command to "fire", W lost control of the "wacky wallwalker" rubber octopus he had been playing with in a xanax-induced haze. It tumbled off the stage, and W unthinkingly ran down to fetch it, placing his head 6 inches from the barrel of the largest sonic cannon just as it sounded the first transmission. Being of "square" DNA genetic bloodline,.the weapon had a markedly peculiar effect on W. Instead of vigorously hippie dancing like the test subjects, W initiated the running of a lengthy series of what appeared to be imaginary football plays scripted from the dark and polluted confines of his brain. Earnestly he darted from one end of the field to the other, occasionally and quite eagerly slamming into unsuspecting & defenseless hippie dancers with full body contact initiated on W's part.  Thoroughly amused at the display, Bush laughed heartily, and ordered the men-at-arms to subdue his progeny with a Trank-Gun. The experiment was pronounced a success. Ashram was promoted to " Black Brigadier General Exalted Cyclops", and given unlimited budget to pursue his nefarious and deranged fantasies. Phil Collins and Elton John were put on retainer as "Psonic Psyops Mercenaries", and Project Mimeograph began in earnest. 

  The first long-term objective of Project Mimeograph was to create an innocuous Jell-o like dessert that, when consumed, would render a person a completely helpless Latah Zombot Soldier. Many formulas were tried, but the one that proved most effective was a concoction of pulverized, diseased pork brains and ground kaleidoscope glass which was then irradiated with 600 rads  and subjected to unknown enhancements by a Mind-o-Biotics technician. The full potential of this substance, codenamed Stamos-Z, was to be realized at that year's Bohemian Grove conclave. There, Ashram met with Grove members  Bob Weir and Mickey Hart of the Grateful Dead, as well as James "Jimmy" Buffett. It was unanimously agreed that through a combination of  Stamos-Z dosing and arrays of Latah Force  instruments hidden under stages, both musical acts' already intellectually compromised fans could be converted into a race of "Super Latahs", financed by a monetary feedback loop of autosuggestion and tie- dye/ parrot mask sales. These "Deadheads" and "Parrotheads" were to be the shock troops for the planned NWO takeover.

  Basking in his own overinflated ego after a marginally successful experiment, W had formed an adhoc ersatz rock n roll band, called ""Fister", whose set consisted entirely of Amboy Dukes and Sigue Sigue Sputnik covers. Thru connections of his father they were booked to play that day at the Grove.  Ashram was wrapping up his summit meeting as Fister barreled into their third song, a strange admixture of the songs, "Take a Ride to the Land Inside of Your Mind", and "Love Missile F-111". Feeling mirthful and relaxed, the apotheosis of the last year's labors having been planned and greenlit, Ashram began to "boogie down" to the mongoloid stylings of W's "band". His mind preoccupied with the perverse spectacle before him, Ashram reached down to the meeting table behind his back for a jello shooter. What he forgot was that he had laid out samples of Stamos-Z for the perusal of Buffet and Co. 

  
 Quickly intoxicated with the potent juice, Ashram - suddenly inspired - grabbed the nearest musical instrument, a set of bagpipes, and climbed onto the stage, heading for the nearest open mic and directing the soundman, with a series of Masonic hand signals, to "crank up the effects rack and get ready to rock." Ashram proceeded to copulate with the deflated bagpipe, resulting in a miasma of hellish sounds that, when processed through the mind- boggling combination of space echo, ring modulators, and pitch-trippatizers, resulted in a signal that activated the Monarch programming of one Matt Guilbeau (AKA Sol One RE: MKULTRA), a subject  of  Host-Nesting experiments who was in attendance. As Ashram  entreated the shocked audience to "Get it on, Rip it out, squirt the Seeds of the Moon into the Dead Clown's Mouth", Guilbeau began to morph into his ultraviolent alter-personality, "Uglord". His eyes now psychedelic whorls of malice and dementia, Gautreaux/Uglord crawled reptile-like, leaving a  trail of bloodlust drool, toward an oblivious Ashram, who had begun gnawing spasmodically on the cord connected to W's 19-string Bassitar, the bagpipes having been shredded  beyond all recognition. 

     Mere seconds before he was to succumb to Uglord's murderous approach, Ashram's teeth broke thru the cord's insulation, zapping his Stamos-Z addled brain with an electrical charge of unknown magnitude. The music reached a synchronistic crescendo as a hushed audience watched Ashram rise up to his full height, glowing purple with what was later described by attendees as a "Witch-Light".  The eerie sound of jingling bells echoed telepathically thru the crowd as Ashram shot beams of green energy out of his eyes at a cowering Uglord, who was reduced to a protoplasmic blob upon impact. "I AM THE GOD OF KOSMICK DING-DING, AND I BRING YOU... DING!!!!!!", Ashram boomed in an unearthly voice that attendees reported variously as "psionically horrifying", "the sound of a million prison rapes", and "like the voice of methamphetamine Jesus". 

   It was clear to the entire crowd present that Ashram had somehow transformed into a superior and profoundly terrifying being. <no further data available for this security clearance>